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Underoath – No Fix Tour

w/ Dance Gavin Dance, Veil of Maya, LIMBS

May 20

7:00 pm

$33 Advance GA / $38.50 Day Of

RSVP on Facebook

Seating is General Admission. If your GA ticket has a row and seat number, it is for filing purposes in our ticket system. Please call our box office at 417-863-9491 with any questions.

The Gillioz is a historic venue built in 1926. As a result of this, the seating in the balcony is closer together than the seating in the orchestra section. If you or a member of your party is tall and require more leg room, we would advise purchasing tickets in the orchestra section.

Every online ticket purchased for this Underoath show comes with a standard digital copy of the new album, Erase Me. Instructions on how to redeem your copy will be sent via email on release day, April 6th, 2018. For purchases after release day, you will receive your email 7-10 days after your purchase. Offer not valid on Resale tickets.

VIP Packages available through the artist’s site: https://ticket.warnermusic.com/event/underoath-at-gillioz

With eight years having passed since we last heard new music from Underøath, that near decade-length absence weighed heavily upon music lovers’ hearts. When you consider all of the bands that formed using their idiosyncratic power and texture as blueprints (and then hearing those pretenders fail anyway), you can clearly see the hole Underøath left behind. Whatever real-life worries, psychic baggage or other concerns plagued Spencer Chamberlain, Aaron Gillespie, Tim McTague, Chris Dudley, Grant Brandell and James Smith at the time of their 2013 farewell tour, Underøath’s collective consciousness has been fortified by a renewed commitment to their art. And more importantly, themselves.

“We had been doing this for 13 or so years,” says Chamberlain, the band’s dynamic frontman, about the respite that got them to where they are now. “We were just done by that point. We never knew how long it was going to last. How many hardcore bands last? It’s not like we hated each other, the music or the industry. We blinked, and a decade went by of never being home. But we needed that break, otherwise now wouldn’t have been possible.”

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